Tables are designed to make life easier for the people and they are one of the symbols of modern life and historical development of mankind after middle ages.Specially in the era of new technology, design of the technologies such as high speed internet, 3rd or 4th generation mobile systems are faster than our modern life and also our continous design transformations. So we believe that something is missing in this interaction.

We wanted to create a continous shape which has  direct relationship with the modern era, allows  a dynamic form. And we believe that there will be more equilibrium points between in these harmonic relations.

Thus we wanted to revisit of our past project of izmir opera house and we wanted to reinvent in different scale.  We believe our design language in opera house project is proper for the integration of new dimension.  In this way, we started to design a new table design series for television studios.

First of all we wanted to design a great surface sensation. Our curvature-calligraphic lines of liquefy surface shaped and inspired by all natural lines like from human anatomies to typographical geometries or to organisms of nature. Combinations of concave and convex continous lines integrate each other. They bend, turn and twist in multiple directions it create organic, fluid, functional, ergonomic and sensual form.

Our dynamic geometry allows us to use new advanced technologies such as three dimensional softwares, new production methods and also latest fabrication materials for example corian, fiberglass, reinforced plastic and polyurethane.

We believe that we created exquisite-elegant design has contextual relationship between temporal and spatial connections which provide us to create ergonomical, functional morphological surface for a furniture design.

Loving curves … 

for more please visit   www.josephwalshstudio.com

copyright issue…

Zeitguised was founded in early 2001 by Jamie Raap and Henrik Mauler in an effort to channel their disparate interests in art, architecture, fashion and design, and explore and test the boundaries of them all.

Their high-gloss art school 3D punk blends complex geometries, surreal objects, artificial behaviours and the recycling of digital ready-mades into their distinct hallucinatory narration style.

With a repertoire spanning art films, 3D design, installation projects, tv commercials and music videos, they are perfectly suited to the diversified world of modern commercialised creative enterprise.

“Perpetics”, an amorphous architectural art extravaganza, received miles of amorous blog inches last year and toured film festivals and art galleries alike, while their commercial clients have included Toyota, Mercedes, and Napster and Vodafone.

2010 will see Zeitguised spreading their computer-powered love across the symbiotic universes of advertising, art, fashion, design and music.

To see more of Zeitguised’s work visit www.blinkart.co.uk

Sam spenser’s Bloom. The perfect cure for a cold dreary day is a visit to the wapping project to see the new show ‘yellow since 1877′. these installations will stop you in yer tracks and set yer heart a-flutter.